1. |
Swept Under
03:02
|
|||
|
The last ones for their better halves, you know
To be the under is better than, you know
The world is bare, a never ending years and that’s just what I see
Even if I could sweep it under, would I belong
The good ones for the better halves, I know
To be swept under is better than, you know
I belong here
|
||||
2. |
Slowdance
03:21
|
|||
|
Lost my voice on the way up
Can’t force me to write
Right on time you will remind me decisions don’t seem as hard anymore
But that’s just me
Lost my thoughts on the way up
Pen to page won’t work
|
||||
3. |
Native Pass
03:51
|
|
||
|
You’ve had all along to make it out
Still working on your pride
Making a life
Save for the rest can’t fake for better
Or worse
Known for the best
To see it through
Changes comes too slow now
Leave space for lining silver and gold
Can’t fake for better
Or worse
Make it mine
You always had the time
Believe in something
It’s never far behind
You’ve always had a word
A word that’s never spoke
A moment lost in time
Leaving arguments to die
|
||||
4. |
Bokeh
02:28
|
|||
|
I can hold the weight for two but that won’t justify
A long trip to get shorter
Make the most of it and regret
In light of past fevers
I’m out of focus for a little
Last days to be a martyr
Apologies are wearing thin
A long trip could get shorter
Make the most of it and regret
Hope will drag you down
I hope they drag you
|
||||
5. |
Surplus & Minus
03:33
|
|||
|
Continue without a pause
|
||||
6. |
Perfect Teeth
02:49
|
|||
|
Drown out the noise it’s louder than before
Make it mine
Better than before
Can’t help but find out all the ways to make it work
To make it perfect
We’ll find a way to change all our everydays
To make it fit
To make it work
Help is on the way
|
||||
7. |
Husk
02:11
|
|||
|
There are times when we all bend and fit
To fit the mold
We got so far
We made it here to find out we’re empty
Less than something
|
||||
8. |
Endless Lists
04:05
|
|||
|
In near time you won’t remember
The bad ones or the way I turned
The last ones always hurt the most
And almost always
In half time remember the changes and make believe everything else
The names and places change in turn
Watch you fall
Make it hurt
Cease and forget all the words
Make it right, just in time
Selective memory all night
|
||||
9. |
Gold & Mud
03:12
|
|||
|
I got it made through ruined pictures
False starts could help us out
I found it home through blurry windows
False starts could help us out
You were there but always whispered
A fine time to say goodbye all alright
|
||||
Topshelf Records Portland, Oregon
A record label started in 2006 working with artists and people we love and believe in.
If you like All Our False Starts, you may also like:
Orange
by Diamond Youth
supported by 16 fans who also own “All Our False Starts”
A dash of Queens of the Stone Age, a shake of the Foo Fighters, and a base of pop punk give you one of my favorite EPs of all time.
go to album
Drool Sucker
by No Joy
supported by 14 fans who also own “All Our False Starts”
absolutely changing music right now. best group doing anything. XO has had me crying on the bus multiple occasions.
go to album
Riala
by Suis La Lune
supported by 14 fans who also own “All Our False Starts”
go to album
Not Getting What You Want, One Step at a Time
by Imp of Perverse
Getting some serious Dean Wareham vibes from this Texas bedroom project that’s anything but lo-fi.
go to album
Calamity
by Plain Speak
Oklahoma duo Plain Speak serve up radiant power pop on their latest LP, surrounding sugar-sweet vocal harmonies with pealing chords.
go to album
The Kansas Wind
by Prathloons
90s alternative of the Pacific Northwest persuasion is given a lushly lo-fi update on this existential guitar record from Prathloons.
go to album
Dark Hearts
by Slingshot Dakota
supported by 13 fans who also own “All Our False Starts”
The sound of "Slingshot Dakota" is really unique. One might be tempted to assume that just keyboards and drums are not enough to produce a hefty sound... but this band housed on the splendid "Topshelf Records" label prove this assumption wrong. Carly Comando's keyboards - frequently e-piano sounds with a heavy overdrive - enter an ideal symbiosis with Tom Patterson's groovy drums, and are led to perfection by the vocals contributed by Carly Comando as well.
go to album
